abirdisnot: (Default)
I am kind of preoccupied with dead animals. That probably sounds fucked up. I view it as an outgrowth of my love for animals, fascination with anatomy and biology--I often spend time daydreaming what it would be like to be another animal, imagining myself in their body and doing their activities--and desire to be close to them. Because wild animals are wild and don't want anything to do with you, you can in some ways know them more intimately when they're dead. Know their physical forms, of course. Their behavior is sort of...limited at that point, unless you count flopping around as a behavior. Or scratching you with their very sharp talons post-mortem.

Also the human fascination with death, eternity, etc. My poetry manuscript deals with specimens, the ethics of preservation, and so on (and how preservation also works with regards to memory, art, etc. I dunno, it's still taking form). The paradoxes and moral ambiguities and complexity of dealing with animals, alive and dead. Because I am very concerned with the ethics of it all.

In the PSAP (what I will call the Primitive Skills Apprenticeship Program for convenience's sake), we are instructed to have respect for the lives we take, to give thanks. I am more at the point where I am trying to find it acceptable to take them in the first place, to not feel guilty, to feel as though I deserve it at all, than of thinking I'm somehow entitled to take what I want from nature.

Similarly, a number of years ago I tried to take an Avian Specimen Preparation Class--preparing dead birds for as research specimens for a museum--and couldn't do it. I did not feel comfortable dealing with birds that may have been collected (i.e. killed for the purposes of having them as specimens) rather than salvaged. I think I was vegan at this time, I was vegan for a number of years as well, starting when I was 16. Now I'm not even vegetarian. But I do feel guilty about it!

Anyway, I got over that and took the class a few years later. Found it fascinating and satisfying, but frustrating as well, due to my slowness. I ended up dropping the class, because I was having "personal difficulties" at the time. Shortly before leaving Ann Arbor I started doing avian spec prep again. Which I should have started doing as soon as I arrived, dammit!

Now I am doing it yet again for a 3rd museum. My skills are improving. It's interesting to see how every place has their different techniques and idiosyncracies.

When I mention this to people, they often say, Oh, taxidermy!

What I do is not taxidermy. What I do is skin a bird and put a stick with some cotton in it, then sew it up. The bird does not look remotely alive. If you are lucky, it looks like a dead bird. With cotton eyes. Taxidermy is considerably more elaborate than that.

You will hear more about my adventures in specimen preparation. And maybe, with luck, my adventures in taxidermy. I want to call around and see if anyone needs an apprentice/assistant, but I am kind of intimidated about cold-calling.
abirdisnot: (Default)
As I mentioned the earlier entry, I am enrolled in a "Primitive Skills Apprenticeship Program", where we learn traditional hunting and gathering skills.

Classes have just started, as of October 5th. I'm enjoying it very much, and am already learning a lot. One thing I like about the program is its very hands-on nature--we will not be learning about these things in theory, but putting them into practice, going out on trips to harvest things, and making things with them later.

I have studied these skills before, but in a book-and-notes sort of way. It's hard when there's no one to show you and no one to practice these skills with--you'd have to have a kind of motivation or learning style that I don't think I possess.

I was always obsessed with nature as a child--who knows why this is. My brother never seemed to have a particular interest, though we both had the same scientist parents, the same trips to Discovery Park and the zoo.

Starting in, I think, about sixth grade, I started to constantly daydream about "running away to the woods." I was inspired by books like "My Side Of The Mountain," where a kid runs away to the Catskills and lives in a hollow tree, and "Julie of the Wolves," where an Eskimo girl (so called in the book, I know this is not the preferred terminology now) lives with a wolf pack. I longed so much to go to a place that had never been touched by humans, that was completely wild. To go to the earth like it would have been before humans even existed. I felt that humans were destroying the earth, and was angry about it--I felt that the best thing would be for us to stop existing entirely. I can hardly express the beauty and the poignancy of my visions, love, and longing for that connection to nature.

As much as I longed to do this, I'm not sure that I truly believed it was feasible for a modern person to have those experiences. Then when I was 12 or 13 I took a summer class at the University of Washington. It was held in the Parrington Building, which at the time was painted pink, and which was the place where Theodore Roethke taught. I should mention, my mom introduced me to Roethke when I was about 9, and he became my favorite poet, and I started writing poetry myself.

I should really post some of my "early works" that I recently found again in a drawer. One is called "The Contrast," and starts something like, "Light is no savior from darkness/For darkness needs not a savior from." It sounded totally...pretentious isn't even the right word, I don't know what the right word is. But my expression was completely sincere.

I recently wrote a lyric essay which is told from the perspective of myself at different ages. And, really, I found myself having to tone the diction of the narrator's voice down, because it would not really be believable as like, a six year old. I really did talk and think that way though.

Anyway. We went out a lot to the Arboretum and such, and read numerous books. Saw some films, too. That course had an absolutely immeasurable impact on me, and some of those books still remain my favorite. Some included "Pilgrim at Tinker Creek, Life of a Cell, The River Why, and The Tracker (we also watched movies like Koyyaniqatsi, and one I forget the name of, a very 70s film where the last remaining patch of nature--in a floating space biosphere--is about to be destroyed due to lack of interest/funding. One of the crew members kills everybody else off in order to prevent this, and then goes insane and starts playing card games with robots. At least, that's what I remember.)

This last book was especially significant for me. It is the autobiographic story of a young boy (and his friend) in the Pine Barrens of New Jersey, who are taught primitive skills, tracking, and awareness by an old Apache Indian man. The boys in the story were living my dream, doing what I thought was impossible. I knew then that I would eventually have to learn these skills.

I'd check out books on edible plants from the library, local guides, Euell Gibbons books, and lay on my stomach in our overgrown dog kennel, looking at plants in our yard and trying to find edible ones.

Blah de blah, school happens, life happens. I should mention I went to the Early Entrance Program at the UW and started college at 15, also of course an important experience. My first class was a tree ID class. :) I'm a person who is avidly interested in lots of things. I'd "forget" my connection to nature, how important that was to me, and then be reminded, promise I'd be more connected. Repeat.

After my MFA program I was looking for something to do. I didn't know what the fuck. I was considering joining the Peace Corps, teaching English in another country, moving to New Zealand and trying to do conservation work. I don't really want a job with paper and words, because I don't enjoy it that much and because I'm afraid it would burn me out, writing wise, to do that for a living. I want something hands on. Like, I would love to be apprenticed to a trade. I have had so many enthusiasms for different careers I never did. Actor, bodyguard, etc. Now I want to be a taxidermist.

Anyway, I googled and found this program. I wasn't doing anything else, had no attachments or obligations (it is a nine-month program), it was always something I had wanted, if not needed, to do, and the right time seemed like now.

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abirdisnot

January 2011

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